A Gentle Breeze looks at images that bear witness to Taiwan’s transition to modernity through portraits of women.

An exhibition at the MOCA Taipei seeks to redefine Gaia as a 'concept entity that is composed by the technology of gene, algorithm, intelligent design and automata projects', proposing the idea that 'Technology' has now become the mother of Genesis.

Titled Water of Immortality, this sculpture in white marble brings to mind The Birth of Venus by the great Renaissance artist Sandro Botticelli.

Some even see it as a revolution that will not only reform the art world, but the way we see and experience this world.

HOPE is a duo solo exhibition that revolves around the work of jewellery artist Jiro Kamata and photographer Caroline Halley des Fontaines.

This 2017 creation invites viewers to wander through a room permeated with fog coloured in green, yellow and pink, challenging their perception of this mundane world and perhaps, for some, their very own existence.

The artist’s largest-ever solo exhibition Shiota Chiharu: The Soul Trembles travelled to the Taipei Fine Arts Museum (TFAM) this summer, deeply affecting the souls of many visitors.

Last winter, I made a visit to the MoNTUE for the exhibition The Everlasting Bloom: Rediscovering Taiwanese Modern Art.

Though small-scaled, this exhibition has succeeded in encapsulating the richness and diversity of Wanhua's tradition and culture.

“…I viewed Kotter’s works of light as if I was reading a piece of poetry that opens doors to new way of thinking and understanding. The only difference of the two being that, this time around, the poetry is composed of light and colours.”