A Kesi Craft Studio in the National Centre for Traditional Arts in Yilan is a bastion of knowledge and artistry, safeguarding the savoir-faire of silk weaving for generations to come.

In GuoGuang Opera Company’s most recent production, playwright Yong-Yih Tseng communicates his lifelong conviction that "the bonds of loyalty and friendship are beyond measure" — an ideal that is rare, and even archaic, in today’s world.

The physical and emotional challenges I faced throughout this adventure was akin to a soul-stirring pilgrimage that left a lasting impression on me.

The ancient Egyptians believed that the sun god Ra, the father of all pharaohs, was said to have sat on a pyramid-shaped mound emerged from the primordial sea.

A special exhibition on view at the Tainan Art Museum bears fruit of a rare encounter between Indigenous artisans and fashion designers from Taiwan.

In Extraordinary Appeal, real-life political victims stand before us to recount their life stories and, surprisingly, express the hope of a better future for the nation despite the pains they’ve suffered — both mentally and physically — during Taiwan’s White Terror Period.

Over three hundred red-bricked chimneys once dominated the skyline of Yingge, tinting its sky with heavy smokes like ink dancing on paper.

This winter, Japanese storytellers travelled to Taiwan, bringing with them their sit-down comedy tradition “Rakugo”.

At the National Theatre in Taiwan, spectators are touched by the magic of Li Bao-Chun’s latest production adapted from Mozart's classic opera The Magic Flute.

A recent exhibition at the National Palace Museum in Taipei shed light on how ritualistic practices could possibly move our life forward in this every-changing, disrupted world.