Tatreez, the Palestinian art of embroidery, is reimagined in SILA: All That Is Left to You, an exhibition where contemporary works explore heritage, identity, and the future of this time-honoured tradition.

Women calligraphers in Taiwan have been walking their own paths. For too long, their presence went unnoticed, until a recent exhibition brings it into view.

At the Bukhara Biennale, visitors set out on a caravan’s journey through this ancient Silk Road city, where more than 70 site-specific works of art offer their own recipes for mending broken hearts.

Beyond the well-told tales of Arab-Norman influence lies another Palermo — one where the dialogue between past and present plays out in puppet theatres, tiled staircases, and palaces.

This year, the Islamic Arts Biennale in Jeddah returns for its second edition, inviting us on a pilgrimage through faith’s many expressions — traversing time, space, and all that is in between.

At the inaugural edition of Art Week Riyadh, I find myself surrounded by works from both established artists and emerging talents across Saudi Arabia and the greater MENA region — each contributing to a collective endeavour to redefine and shape their identities.

Susumu Shingu’s wind sculptures are more than kinetic art — they are therapy for the soul.

Curious about Vancouver’s Indigenous communities? Here’s my curated guide to the top destinations where First Nations’ visual culture and heritage come alive amidst the city’s urban spaces.

Taiwanese artist Chen-Yu Chang’s highly meditative paintings, on view at the exhibition Superimposition, Entanglement, and Excitation, bring us to the intersection of millennia-old Buddhist wisdom and the quantum world.

Having exhibited his art in cities such as Miami, New York, London, Berlin, and Milan, Omar Hassan's creations found their way to the Royal Palace of Palermo, where he propagates a message of creation, not destruction.